
Youngna lives in Greenpoint, Brooklyn. She loves baking desserts, she knits a scarf a year, she gardens herbs indoors, she loves everything about snow, she always eats breakfast, and she uses superlatives within reason. She is a self-taught photographer and her photography work has been published by various magazines and is represented by Jen Bekman’s gallery, in New York City.
Laura Pannack is a young British photographer who has recently won first place in the Portrait Singles category at the World Press Awards for “Graham,” the striking portrait of a teenager suffering anorexia nervosa (above). She has also been published in The Guardian and the Sunday Telegraph magazine, among other titles, and gained representation from the Lisa Pritchard Agency in London.
’10′ is published to commemorate ten years of the in-public international street photographers group and features ten images from each of the group’s 20 photographers.
Some photographers use their blogs simply to show off their latest work, some learned SEO and discovered ways to make their blogs work for them. Mark Tucker’s photography blog is different. His blog is not search engine optimized. His blog, instead of keywords, has a soul!
Oyako is the Japanese word for parent and child and also the title that photographer Bruce Osborn gave his series of Japanese parents and children portraits. Bruce started photographing Oyako in 1982 and has gone on to take over 2,000 parent/child combinations, in the process he published several photo books and has had numerous exhibitions on this series.

Tonight I am deeply moved by the sad news that Domenico Foschi, an Italian photographer friend of mine, is abandoning his dream of being a full time artist here in the US and will be soon moving back to Italy. In his announcement on his personal blog, Domenico pointed out that “artists whose work has a romantic slant (misinterpreted term), like mine, do not exactly fall into the trends of today’s art world, which is a reflection of the American society we live in today, where emotion is something to be avoided.”

Bruce Osborn moved to Japan in 1980. Since then, his work has spanned the media spectrum, from print ads and album covers, to online videos. He also originated Oyako Day, and serves as a director of Ozone Inc.
Andreas Gursky is a German visual artist drawn to large, anonymous, man-made spaces—high-rise facades at night, office lobbies, stock exchanges, the interiors of big box retailers. He makes large-scale, colour photographs distinctive for their incisive and critical look at the effect of capitalism and globalization on contemporary life.
This weekend, inspired by the snow falling over New York, I decided to visit Michael’s website to browse again some of his older images and I was surprised to find out that the website has been recently completely redone. Even more surprising was to find on the interviews page a beautiful video in which Michael goes to Kussharo Lake, in Hokkaido, to pay a visit and photograph one of his favorite trees.
The editors of Resolve, the blog of LiveBooks, posted this week an interesting open question for everyone to attempt to answer: “What do you think photobooks will look like in 10 years? Will they be digital or physical? Open-source or proprietary? Will they be read on a Kindle or an iPhone? And what aesthetic innovations will have transformed them?”

A couple of months ago, PDN published the article Copycat or Not? Photographer Challenged Over Look-Alike Work which triggered a worldwide discussion on photographic plagiarism. Here is what Michael had to say on the topic, exclusively for the Green Tea Gallery Magazine.

“The stories. That’s one of the most important thing that I need in my photos. I need to know the story behind the photo. I need to feel the stories that brought me to the idea. Many people tell me that they have found themselves in these pictures. They say that my pictures feel strangely familiar. Photographs as mirrors? Yes, they should be a mirror of our souls. We all are living these stories. But we only keep them hidden in our mind, in our inner world.” – Martin Stranka
Rachel Wolfe’s pictures are an investigative look at contemporary life, looking intimately at perceived ideals of happiness.
“When my daughter Alison was born, in the tradition of a new parent, I began to photograph her, initially in a separate and private body of work. However, in the process of documenting Alison’s growth, I developed a passionate interest in human relationships and capturing intimate moments in the lives of family and friends. This affected my photography in a profound way. Rather than the isolated subjects of my earlier work, I became interested in the strength of relationships, oftentimes using personal environments to amplify those conditions.”
This photo essay wants to pay tribute to the unknown beauty of Long Island in the winter, when the temperatures fall below the freezing point and the frigid winds coming from the north leave only the seagulls on the empty beaches.

The Green Tea Gallery project was born during a very hot sleepless night in the summer of 2007, when Francesco Gallarotti had the idea to open a new Flickr group, the Green Tea Gallery, which he introduced with the following words:
“Think of this group as a small photography and art gallery in Soho, NYC. Think of a cold winter afternoon. The weather is rainy, and inside the various rooms of the gallery there is a nice warm atmosphere – the white walls covered with beautiful pictures while some gentle music plays softly in the background.”
While both good and bad things can be said about the overwhelming saturation of images published every day on the Internet, what we loved was the opportunity that the Internet was giving us to get to know the photographic work of some really amazing – yet mostly unknown – artists from all over the world. Thus, from the day the gallery opened its virtual doors, our vison has been to offer a venue to introduce the work of emerging photographers from every corner of the world, and our focus has always been on the aesthetic value of the images we accept into the group pool.
Since those early days, the Green Tea Gallery project has been steadily growing and has evolved into this online magazine, which presents some of the best work published in our original Flickr group pool, side by side with articles, photo essays and interviews that we hope will be both inspiring and entertaining at the same.
The Green Tea Gallery Magazine is run today by a small group of photography enthusiasts who volunteer some of their free time from all parts of the world. If you share our vision and are interested in this project, please contact us today and help us to make this website even better with you ideas and contributions.
Written by Francesco Gallarotti, founder and photo editor of the GTG Magazine. Edited by Stacy Ericson, chief editor of the GTG Magazine.